I took the girls to the train station in Brive on
Wednesday 7th January 2015, blissfully ignorant of how momentous
that date would become. We've been shrouded in a damp cloying mist all week, so
the journey took longer than usual. For once, people drove sensibly and didn't
attempt any lunatic manoeuvres to shave seconds off their journey time.
Depositing them in good time for the 9 o'clock train to
Paris, I told them to take care, as one does. The world, I know only too well,
is a dangerous place, but I try not to let it immobilise me as it did my
agoraphobic mother. Even so, it's a fairly automatic thing to bid your loved-ones.
Unless you live somewhere like Baghdad, you don't really expect the need for
vigilance on a train. It's my favourite form of transport, because
statistically it's one of the safest. You can let your guard down, relax and sink
down into a good book.
After the delivery, I took a cursory look at the official
January sales and came home with a couple of new tops and just a clutch of
bargain-basement CDs. The house seemed empty, terribly empty on my return. No
dog to greet me and convey his relief in discovering that he hadn't been
abandoned. The cats were nowhere to be found, as usual. I stoked the fire, made
myself some lunch and settled down to read the liner notes of my discs.
The phone rang. It was my wife. They'd got to their
destination safely, as I had imagined that they would, but her voice sounded
anxious. You haven't seen the news, then?
No I hadn't. And she proceeded to tell me how our daughter's Metro station at
Richard Lenoir had been closed and someone had told them to take great care,
because there were gunmen loose on the streets, shooting people at random.
Understandably panicked, they had made it safely to the apartment, where
Tilley's landlady told them the terrible emerging truth of the massacre at the Charlie Hebdo headquarters.
I'm getting uncomfortably accustomed to such appalling
acts of random violence. Growing up in a troubled Belfast, I remember one trip
to the centre of the city with my best friend, Winston. We went to trawl
through records at Smyth's and the Gramophone Shop, the two best haunts in town
for vinyl junkies. On leaving the former, I still vividly remember, we headed
street-wards through a little shopping arcade. Suddenly, there was a distant
muffled explosion and we felt the ceiling of the arcade billow. As we emerged
from the arcade, the glass front of the shop opposite just sort of fell out of
its frame.
It was a day when synchronised explosions went off all
over the city centre. If it was a concerted attempt to terrify the population,
it certainly worked. The pair of us walked back out of town down the white line
in the centre of the main road home. I don't know whose idea it was; we were
and are a pair of worry-warts. Anyway, it worked. We made it back in one piece,
without being hit by flying glass. Without, for that matter, being hit by a passing
car.
Latterly, our stay in Northern Ireland must have brought
back painful memories of World War 2 for my mother, so we moved back to the
mainland at the end of my schooling. But effectively we've been living ever
since the title of that long-running series, The World At War. It didn't become really apparent, though, until
the 11th September 2001. I recalled that day this week, because old
Madame Paucard, the harbinger of the coming apocalypse, phoned me up:
ostensibly to find out how we were, but effectively to talk about her health
for nearly half an hour without drawing breath. With the language barrier, I no
doubt got several wrong ends of the stick as I frequently do, but my brain
switched off after five minutes of her monologue.
It didn't, however, switch off on that beautiful autumnal
day when she rung us to relate what was happening in Manhattan. We switched on
the telly to see the unmistakeable images that confirmed I didn't get the wrong
end of the stick on that occasion. Winston phoned later that day from his
basement apartment not far from Central Park, just to reassure me that he
wasn't caught up in Dante's Inferno downtown. What we went through in Belfast
together was child's play in comparison. No doubt I urged him to take care and
I think I suggested that he should keep a journal of those terrible events. I
don't believe he did, which is a shame because an expatriate's view on the
events surrounding the outbreak of the current War on Terror would have made
fascinating reading.
The terror derives from the customary inevitable
resistance to a global imperial power. Like the Goths and Vandals in Roman
times or the Thuggees during the British Raj who killed in the name of the
goddess Kali. Only this time they're better armed and therefore that much more
lethal. Their real enemy is probably the filthy god of Lucre – in the form of the
relentless march of global commercialism founded on a never-ending supply of
artificial money.
Well, that's my simplistic way of looking at it. Even
living within rather than outside such a system you have to take care. On
Friday I phoned up SFR on behalf of The Daughter. I wanted to see whether they
could help her get re-connected to the internet. I spoke to one of those
high-pitched female operatives who sound vaguely hysterical. As usual, she
regaled me with a whole raft of questions. Eventually, she put me through to
someone in technical support who merely reiterated what our kid's been doing
anyway throughout her stay in Paris.
An hour or so later, I received an e-mail thanking me for
choosing to add – at a cost of €5 per month – unlimited calls to mobile phones
to my standard contract. I phoned back immediately, outraged because I had
certainly never agreed such a thing. The last thing I would want to do is to
alter the contract, because I know the disruptive ramifications only too well.
Even so-called customer service is a minefield of sales targets. Sell, sell,
sell. The commercial drive is rampant and relentless. You can't be too careful.
I watched a drama the other night of Tommy Cooper's
relationship with the two women in his life: his wife, Dove, and his
on-the-road 'assistant', Mary. It featured an extraordinary performance by
David Threlfall, who actually made you believe the impossible: that there could
be more than one Tommy Cooper in this world. It dramatised his sad alcoholic
decline and his death on stage. It served to underline just how difficult it is
to take care. My mother once phoned me up to warn me about the dangers of
kidney beans, but frankly you could even die laughing like Tommy Cooper in this
dangerous world.
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