A recent trip to Marseille did nothing to amend an abiding impression that dated back to 1978. In the back seat of my friend Philip’s white Renault 4 with the future first Mrs. Sampson, I remember thinking that Marseille was somewhere I never particularly wanted to see again. It seemed big, noisy, dirty and rather intimidating. We were on our way to Cassis on the other side of the Calenques to visit the same friends we spent two days and two nights with last week in a kind of upmarket holiday camp.
But visit it we did; the second Mrs. Sampson felt that her life would not be complete if we didn’t evaluate France’s second (or third, if you’re Lyonnais) city. Besides, it was kind of half way between us and our friends in the Alps, Jacqui and Claude. And we could all get there by train. And Jacqui found us a midweek deal at the Villages Clubs du Soleil, a cross between Butlins and one of those ghastly cordoned-off holiday compounds inside which you can lie on a lounger, turn a shade of fuchsia, drink until you’re blotto and watch the natives on the other side of the perimeter fence going about their alien lives. It was classier than both, but born of the same all-in mentality. Being France, it wasn’t a case of all-you-can-drink, but rather all-you-can-eat – which made choosing a venue for dinner that suited all four of us a whole lot easier.
The train took the strain, so a long but relaxing coming we had of it. One change only: at Montauban (‘Ville des Bourbons’, apparently), as unedifying a city as our café crèmes at an establishment just down from the station. It’s quite an achievement to render coffee so milky and revolting, but that café managed it triumphantly. Our connection from Bordeaux arrived on time, to take us via Toulouse and Carcassonne, then along the Mediterranean coast via Narbonne and Sête, then Bezier, Montpelier, Nimes, Arles and finally to Marseille Saint-Charles.
The station sits atop a promontory that affords a view from the top of its grand central steps across a ramshackle roofscape to the sea. It reminded me of Brighton’s main station, only Marseille is hotter, noisier and dirtier than London-by-the-sea. Depositing our minimal baggage at our nearby first-night hotel, we set off for the Office de Tourisme near the old port at the foot of Marseille’s famous main-drag, La Canibière. A solicitous young man helped us when we must have looked like a pair of lost tourists. The office was there across the wide boulevard bisected by tram tracks, a little further down on the right. And how did we get across said boulevard? I asked him (in the apparent absence of a pedestrian crossing in the vicinity). Errr, by walking across it. Oh. Right. I thanked him. What a pair of eejits. But what a nice young man.
Another nice man, Olivier from the Office de Tourisme, sold us the last four tickets for a guided tour of Le Corbusier’s famous social-housing experiment, the Cité Radieuse. In discovering that we were adoptive Lotois, he asked us how we liked the local duck. We didn’t, being vegetarian. At which point, we lost him. He wished us a happy stay in the city and we went off armed with a map. My mission on that first afternoon, which my understanding Good Wife chose to accept, was to track down one or two of the record shops I had earmarked at home. The expedition took us up into the edgy hinterland of the 6th district, an area full of seedy alleyways, vintage shops, organic salad bars and colourful graffiti. The city fathers (and mothers) seem to have given up trying to fight the ubiquitous spontaneous decorations, which range from monochrome scribbles to vibrant murals.
Tangerine, the first record shop we stumbled upon, was so eye-wateringly expensive that we stumbled straight back out again. But on the trek back to the hotel, we discovered La Bonne Mère (taking its peculiar name from the nickname given to the city’s most famous landmark, the basilica high above the port, Notre-Dame de la Garde): a tiny establishment with a wonderfully diverse collection and a few bargain bins run by a charming guy passionate about his wares. Debs went back to the hotel while I chatted to him about music from the Antilles and Disques Debs International in particular. I came away with a bag of seven LPs for 30 bucks, including Sonny Rollins’ film score for Alfie. What’s it all about, this addiction of mine?
At breakfast the next morning, we chatted to a quartet of British expats who have settled south of Bergerac. They were on a cruise until the ship caught fire somewhere near Toulon. Apparently, they were told to wait in their cabins for further announcements – which never came. Another reason never to take to the water in a vessel resembling a block of flats.
We spent the morning before our friends’ arrival exploring the area of cobbled streets, steps and alleyways overlooking the port known as Le Panier (the Basket) and made famous by the novels of Marcel Pagnol. Heaven knows what the likes of Marius, Fanny or César would have made of our holiday compound, a hot half-hour walk from the station on the other side of the railway tracks. We all agreed to stay there for the rest of the day to unwind and enjoy the facilities: the pool, the boules, the bar (for our complementary kier) and the buffet-style restaurant. We sat outside to dispel a hint within of a glorified canteen. One of the staff came out periodically to issue a verbal warning to Roget, a voracious seagull that has become a local celebrity.
Next morning, our complementary 24-hour Citypasses took us by a boat crowded with young schoolchildren and German tourists to the Chateau d’If, where we were dive-bombed by Roget’s kind on a stroll around the perimeter fortifications. We must have got too close to their fledglings and downy young that wandered aimlessly about like feckless teenagers. So we took refuge in the chateau itself, a great pink slab with walls two metres thick at the apex of the rocky outcrop. I was able to call upon my vivid memories of a BBC drama series with Alan Badel in the title role to summarise the Count of Monte Cristo for the others. The cells were so dark and daunting as to suggest that tunnelling his way through to his ancient neighbour – and thence to the sea below by means of a body bag – smacked of creative license.
The apartments within the Cité Radieuse of Le Corbusier are light, airy and spacious in comparison. Our tour kicked-off at 2pm, which didn’t give us much time to get back from the rocky outcrop, find somewhere mutually agreeable for lunch and then locate our destination, a brisk 20-minute walk from the nearest metro station. Claude’s first reaction to the monumental concrete block about as big as a modern cruise liner was ‘HLM’ – which is exactly what it is: une Habitation à Loyer Modérér, constructed with state aid to house those with modest means. In this case, some of the bombed-out families of wartime Marseille. Squatting on vast concrete pillars and coloured with splashes of primary colours like something conceived by Piet Mondrian, the building went many, many times over-budget, which no doubt explains why most social housing blocks thereafter were built with such minimal concern for either comfort or community.
It was when the tour moved inside that it got particularly interesting. We speculated whether our guide was a resident, so intimate was her knowledge of the building’s concept and design features, even down to the detail of the €400 monthly charges that today’s proprietors pay on top of any mortgages for the upkeep of such a behemoth. One of the interlocking apartments has been kept in its original early-‘50s state, when the colourful sliding cupboards and fitted galley kitchens were state-of-the-art. It looked a little like the set for Jacques Tati’s modernist Mon Oncle. We were asked to look but not to touch and to wear covers like blue shower-caps over our shoes. I noted with dismay that I was the only one of the party to somehow put them on inside out.
From there, she led us up to the roof, which was truly the pièce de résistance. With its 360-degree views all over Marseille, with its recreation areas and even an in-house on-roof école maternelle, it’s like an architect’s adventure playground. Although I’ve never seen it, it made me think of the Fiat factory roof in Turin. I kept expecting the latest test models to come roaring round around the bend and down the home straight. From the northern rim, you can look down at the Orange Vélodrome, the equally impressive stadium where Olympique Marseille play their football. On the way back to the metro station, we passed the stadium and wondered why so many people were milling about under the cold, wary gaze of soldiers cradling sub-machine guns. The football season was over, surely. Back in our glorified holiday camp, we learnt that Ed Sheeran was playing there that night. Last week it was Bruce Springsteen.
Come Saturday morning, we discovered why a midweek stay in our holiday village is a better option than the weekend. Our converted maternity hospital was now crawling with guests. Some of them looked like the type to chat noisily in the corridor outside your bedroom at 5am and wake up the oldies within. It was time to leave – and, after one last stifling walk around le Vieux Port, time, too, to leave town. The Dame can tick it off her list of places to visit. As far as I’m concerned, once you’ve seen one big Mediterranean city, you’ve seen ‘em all. I was itching to get back to the peace and quiet of home: to play my new records and watch the bees and the butterflies dance among the flowering lavender. The only slight problem was that we had nearly two hours to kill in Montauban. And there’s another city I never want to see again.